Previous unpaid speaking roles
I am a former member of the Jigsaw Youth Theatre based in Netherton, Dudley.
I have appeared in 3 Shakespeare for Schools productions, portraying Tranio in the Taming of the Shrew, Trinculo in The Tempest and Bottom in A Midsummer Night's Dream.
I have appeared in a number of schools productions including Snow White ( as Grumpy), Grease ( as Eugene), Scrooge, Disco Inferno , The Wizard of Oz and Bugsy Malone.
I have performed in a college productions of Blackout in 2016 and Monstrum in 2017. Both of these were part of the National Theatre connections festival and were performed at Warwick Arts Centre in Coventry
I have performed the role of Mick in These Bridges as part of the 2018 National Theatre Connections festival which will again be performed at the Warwick arts Theatre in April 2018.
I have performed in lead roles in two student films in May 2017, Weight of a Heart and Complex where I played as Husk ( masked character)
I have just completed filming 4 student films. Winters past where I played the main role of Hendric. I also played Murphy in the short film 'Milo' and the supporting role of Nikoli in Bleak Ms Winters.
I also played Steve in a short film called Darkness which was a story concerning PTSD. I won an award for this role as best actor in the Dudley Arts Festival held in June 2018.
I have now been given a placement within the National Youth Theatre of Great Britain having completed an intensive 3 week acting training course in London over the summer of 2018.
I have just graduated from East 15 Drama School based in Loughton Essex after completing a course in Theatre Arts and awarded a pass. During my time there I worked in productions of 'The Canterbury Tales' when I portrayed the Merchant, Julius Caesar where I played three parts in the production and as our modern assessment an on-line version of the play 'Boy', where I played a unnamed teenage boy, a role which required me to create my own character, one whom I named Brad.
The training I received at East 15 was very intensive. It included combat stage acting, improvisational work and classical interpretation. The later part of that course was curtailed due to the Covid-19 outbreak and had to be done on-line. That allowed me to experiment with my own editing and skills away from direct face-to-face acting.